For information about works
and exhibitions:

Galeria Francisco Fino
Rua Capitão Leitão 76
1950-052 Lisboa, Portugal
www.franciscofino.com

Publications:
Pierre von Kleist editions
www.pierrevonkleist.com

Enquiries:
mail@josepedrocortes.com

Robert Morat Galerie
Linienstrasse 107
10115 Berlin, Germany
www.robertmorat.de

News

Ocean Rain
Galeria Fonseca Macedo
Ponta Delgada, Açores
25.9-30.11.2025

Exhibition included in Walk & Talk - Arts Biennal - Gestures of Abundance
Walk&Talk Biennial is an art and gathering initiative that takes place every two years on the island of São Miguel, Azores, proposing an ongoing reflection on the territory, its imaginaries and its transformations. Rooted in newly commissioned works and collaborative processes, it weaves together exhibitions, performances, walks, gatherings, and public activities involving artists, curators, specialists, and local communities.

Lisboa
Parklife magazine no.3 : A new nowhere

Aqui e em Todo o Lado (’Here and Everywhere’)
Brotéria, Lisboa
30 January - 12 March 2025

José Pedro Cortes’ body of work stems from an ever-present interest in observing the world around him. His images, whether constructed or captured out of instinct, are subjective and political and follow a realist tradition that deems everyday life’s material and pictorial potential as a mirror of the contemporary world.
In Aqui e em todo o lado, Cortes shows us a set of images which reflect on a time of uncertainty and change. The human body and its relationship with nature, namely with water, is a recurring theme in this exhibition. Its ideas of immersion and suspension convey a sense of seduction but also of anxiety. In one of these photographs, Cortes shows us an image of a neophyte (a person who has been recently baptized). A statue of a male figure undressing, his face covered by his arms while removing his clothes, already partly uncovered. The gesture represents a transition between two states, making visible that which exists between before and after. In a way, he is demanding our attention so that we may witness the dive he is about to surrender to. It is therefore important to define the experience of submersion, to reflect on the places of impermanence and to recognize the physical and psychological tension to which this body “in transition” will be exposed. This movementof absolute rendition, and a contemplative one,has nothing passive about it and counteracts the potential involuntary superficiality of one’s life. It is amovement that reveals how we perceive the world. On this matter, Robert Walser wrote that «we don’tneed to see anything out of the ordinary. We already see so much.» (A Little Ramble, 1914).

Aqui e em todo o lado is woven under a carefuland sensitive gaze on the human experience. It tears the membrane of banality that covers all things – characters, gestures and everything else.It fabricates a day-to-day experience so as to elevate these things and grant them the nature and importance of rituals. Each photograph is like an“in-between place”, a liminal space, which demands our silence and slowness to reveal itself. Although autonomous in themselves, these images are, as a whole, a metaphor for the movement between the visible and the invisible.

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‘A room before a window’
crosscurrent magazine issue 4
edited by José Pedro Cortes, Clarke Ruddick and Emily Schofield

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Patrícia, 2022
4 screen video, 16 min.

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‘Dawn is at gates’
Double Magazine #45
edited by José Pedro Cortes, Carina Frey, Stefanie Barth and Fabrice Paineau

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Selected work and exhibition views

Corpo Capital, Galeria Francisco FIno, 2021

Planta Espelho, Galeria Francisco Fino, 2018

Corpo Capital, Galeria Francisco Fino, 2021

Um Realismo Necessário, MNAC, Lisboa, 2018

Planta Espelho, Galeria Francisco Fino, 2018

Scar, 2010 (50x35cm); Studio, 2018 (60x40cm); Leg and Vase, 2018(50x35cm)

Street Yatch, 2018 (150x120cm); Mirror Studio, 2018 (50x35cm); Prince's death, 2018 (50x35cm); White Building (180x126cm)

Planta Espelho, Galeria Francisco Fino, 2018

Um Realismo Necessário, MNAC, Lisboa, 2018

Workout 7M, 2018, HD Video, 9’40’’

1000 Words Magazine
10 Year Anniversary Edition
Includes ‘10 portfolios from artists who, we believe, have built significant bodies of work and emerged as increasingly influential practitioners in the past decade. Those individuals include José Pedro Cortes, Laia Abril, Edmund Clark, Esther Teichmann and Zanele Muholi to name but a few.‘

Includes ‘Planta Espelho’ with a text by Francesco Zanot.