For information about works
and exhibitions:

Galeria Francisco Fino
Rua Capitão Leitão 76
1950-052 Lisboa, Portugal
www.franciscofino.com

Publications:
Pierre von Kleist editions
www.pierrevonkleist.com

Enquiries:
mail@josepedrocortes.com

Robert Morat Galerie
Linienstrasse 107
10115 Berlin, Germany
www.robertmorat.de

News

Ocean Rain
Galeria Fonseca Macedo
Ponta Delgada, Açores
25.9-30.11.2025

Exhibition included in Walk & Talk - Arts Biennal - Gestures of Abundance
Walk&Talk Biennial is an art and gathering initiative that takes place every two years on the island of São Miguel, Azores, proposing an ongoing reflection on the territory, its imaginaries and its transformations. Rooted in newly commissioned works and collaborative processes, it weaves together exhibitions, performances, walks, gatherings, and public activities involving artists, curators, specialists, and local communities.

Lisboa
Parklife magazine no.3 : A new nowhere

Aqui e em Todo o Lado (’Here and Everywhere’)
Brotéria, Lisboa
30 January - 12 March 2025
Exhibition views here

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‘A room before a window’
crosscurrent magazine issue 4
edited by José Pedro Cortes, Clarke Ruddick and Emily Schofield

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Patrícia, 2022
4 screen video, 16 min.

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‘Dawn is at gates’
Double Magazine #45
edited by José Pedro Cortes, Carina Frey, Stefanie Barth and Fabrice Paineau

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Selected work and exhibition views

Corpo Capital, Galeria Francisco FIno, 2021

Planta Espelho, Galeria Francisco Fino, 2018

Corpo Capital, Galeria Francisco Fino, 2021

Um Realismo Necessário, MNAC, Lisboa, 2018

Planta Espelho, Galeria Francisco Fino, 2018

Scar, 2010 (50x35cm); Studio, 2018 (60x40cm); Leg and Vase, 2018(50x35cm)

Street Yatch, 2018 (150x120cm); Mirror Studio, 2018 (50x35cm); Prince's death, 2018 (50x35cm); White Building (180x126cm)

Planta Espelho, Galeria Francisco Fino, 2018

Um Realismo Necessário, MNAC, Lisboa, 2018

Workout 7M, 2018, HD Video, 9’40’’

1000 Words Magazine
10 Year Anniversary Edition
Includes ‘10 portfolios from artists who, we believe, have built significant bodies of work and emerged as increasingly influential practitioners in the past decade. Those individuals include José Pedro Cortes, Laia Abril, Edmund Clark, Esther Teichmann and Zanele Muholi to name but a few.‘

Includes ‘Planta Espelho’ with a text by Francesco Zanot.