In Um Realismo Necessário (A Necessary Realism), José Pedro Cortes renews his way of looking at the matter and surface of our time through a set of photographs, taken between 2005 and 2018 which reveal his interest in the representation of the human body.
Taking portraits and looking at the other was always a way for José Pedro Cortes to think about th reality that surrounds us. As a creator of images, he accepts the complexity of this time, its fabrication and its impulses, its vulnerability and beauty, which do not allow for dogmatic readings.
In contrast with neoliberal realism, his images affirm the necessity of not allowing ourselves to b subordinated to pragmatic vision of life, because reality is not mechanic, linear or numerical, but a challenge that demands daily attention and reflection. In these rooms, we come across men an women who look at us, others who sensually caress each other in bed, and we observe a group o friends languidly relaxing on a lawn, on a summer’s afternoon.
There aren’t any geographies or time scales, and, as observers of José Pedro Cortes’ photographs, we are voluntarily invited to make fast, slow, intense movements, which go in and out, running through the centres and along the margins, attempting to find life, but also the skeleton, ruin and remains
that time leaves in its wake.
Text by Nuno Crespo
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